Gabriel Zucker is a songwriter, composer, pianist, multi-instrumentalist, and polymath from New York, whose work combines maximalist compositions, intimate songwriting, virtuosic metric complexity, and the progressive improvisation of New York’s creative music scene. His music has been praised in Downbeat (4.5 stars), All About Jazz (4.5 stars), Stereogum, Jazzwise, and the New York City Jazz Record. A Yale graduate and Rhodes Scholar, Zucker has performed throughout New York at such venues as Carnegie Hall, The Stone, Roulette, and the Jazz Gallery, as well as in 27 countries around the world.

Zucker debuted his unique blend of intimate songwriting and sweeping compositions with the 13-piece indie jazz orchestra The Delegation, born at the Banff Jazz and Creative Music Workshop in 2013. The group’s debut record, a twelve-movement composition titled Evergreen (Canceled World), was supported by an American Composers Forum JFund grant, won an ASCAP composition award, and was released in October 2016 on ESP-Disk' to critical acclaim. The ensemble’s equally sprawling sophomore release, Leftover Beats From The Edges Of Time &emdash; featuring artists including Anna Webber, Adam O’Farrill, and Kate Gentile &emdash; was released in September 2021 to further acclaim, marked by an ambitious multimedia full-length performance at Roulette Intermedium. A punchy live trio rendition of the record followed in 2022.

In November 2018, ESP-Disk' released Zucker’s third studio record, Weighting, an extended composition inspired by Rachel Kushner’s novel The Flamethrowers, featuring Tyshawn Sorey, Adam O’Farrill, and Eric Trudel. The record was widely praised, recognized as a Debut of the Year by the New York City Jazz Record, listed among the Best of 2018 by All About Jazz, and featured as a runner-up in Stereogum’s Best Jazz of 2018 list. Zucker and Sorey collaborated again in 2018 with the premiere of Zucker’s new duo New York, USA, 2018 at Carnegie Hall’s Weill Hall.

Today, Zucker performs regularly in a series of distinctive solo and duo arrangements, doubling on piano, synthesizer, and voice, accompanied by collaborators on drums including Budapest-based Attila Gyárfás, with whom Zucker has performed repeatedly across Europe in recent years. Their performances are notable for their virtuosity, range, drama, and organic development, with the duo effortlessly navigating between complex compositions and open-ended sound worlds.

In September 2024, Zucker will release an indie-inflected album recorded under the moniker underorder, Other Ways To Be Apart, following on that group’s debut 2017 release, Postcards. Zucker also performs regularly as a concert pianist focusing on twentieth century repertoire. His 2018 performance of Frederic Rzewski’s Squares was listed among the New York Classical Review’s best concerts of the year, and his 2019 performance of Messiaen’s Vingt Regards Sur L'Enfant Jesus also drew praise. Before the pandemic, Zucker was co-manager and curator of the prominent experimental music venue Spectrum. In 2021, Zucker contributed string arrangements to experimental artist L’Rain’s widely-acclaimed record Fatigue.

A committed social activist in addition to a musician, Zucker is currently Program Director for Tax Policy and Partnerships at the civic tech non-profit Code for America, where he works on democratizing access to the tax system. He previously served as Director of Research at the progressive turnout organization VoteTripling.org; worked on homelessness and healthcare policy as a member of the U.S. Digital Service; and co-led the successful campaign to end veteran homelessness in Connecticut. He graduated summa cum laude from Yale in 2012, where he double majored in Ethics, Politics, & Economics and Music, and he holds a Masters in Applied Statistics from Oxford, where his research focused on applications of machine learning to social policy administration.